It later got chic to abhor on Sanjay Leela Bhansali’s Shah Rukh Khan as the lead role whose last rituals are reflected in a frantically excellent topic
the disappointment of a whole age that a furious, and entrancing film like Rang De Basanti can’t exist in India today Rang De Basanti did Rumi’s “past good and bad
Rang De Basanti (2006)
Nishikanth Kamath’s Mumbai Meri Jaan closes with Mohammed Rafi’s lively voice “Zara Hatke, Zara bachke, yeh hai Mumbai meri Jaan
Zoya Akhtar’s first and best film is around two industry untouchables toward the start of long however desolate vocation
This second has just been expounded on in our decade-best scenes list, yet insufficient can be said A high school child runs from his injurious dad and surpasses him
Ship of Theseus (2012)
There’s a particular feeling of despairing about the way chief Anand Gandhi meshes reasoning into the film, or the other way around, in his full-length debut.
Masaan closes with a start. Devi (Richa Chadda) and Deepak (Vicky Kaushal), damaged heroes of isolated stories
Shubhashish Bhutiani’s presentation film says a ton regarding the passing, conclusion, and familial hatred the grown-up child who achieves salvation during the last snapshots of Mukti Bhawan.